Looking at the animated documentary, I wanted to look at different contemporary examples that do not inherently perform in a ‘typical way’ and heighten subjectivity. Particularly the ten mark, as it really accentuates what I would make as the ‘performative’ documentary mode in the way that there is no direct action on screen and just long takes of empty rooms. The implications of the real-life document due to the non-fictional context of the person’s home I feel works perfectly as it evokes a feeling of emotion and mood of contemplation and emptiness that occurs after a murder.